
There’s no winning for Rae, and she struggles throughout, with the aid of her kindly psychiatrist (Ian Hart), to see some semblance of victory for herself in the future. She starves herself at school for fear that the sight of her eating will invite further taunting: If she snacks on something healthy, people will assume she’s pretending to have good eating habits if she noshes on something junky, they’ll blame her for gaining weight. Unsurprisingly, it’s her body that she punishes for its seeming transgressions - by, say, scalding herself in the shower or scraping her knuckles against a brick wall.
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Rae’s secrets and anxieties are entirely normal for her age, but, as one of her doctors points out, her instincts in how to deal with them are not. Shame multiplies: Rae has to hide not only her body, but also the evidence of her hatred of her body, and, later, the fact that she had to get help to cope with that self-loathing. Her pathological fear of looking at herself in the mirror is bolstered by everyday humiliations: street harassment her uncompromised virginity and an invitation to a pool party, where her new friends might see her stomach bulge - or, even worse, see the horde of scars she’s cut into her thighs over the years. In the pilot, she returns home from a four-month stay in a psychiatric institution following a suicide attempt. (With Super Fun Night forgotten, when’s Rebel Wilson getting her own starring vehicle again?) Rae eventually reaches the McCarthy glow after many a setback, but her complicated humanity - still so frustratingly rare to see in heavier female characters - first demands that we see her pain. Then, once you finish the Christmas romances, you can check out the funny Christmas movies, animated Christmas movies, underrated Christmas movies and even Christmas horror movies.Melissa McCarthy just kicked Batman and Superman’s asses at the box office with The Boss, but she’s pretty much the only lead actress who’s allowed to be fab while fat. Wrap yourself up in a buffalo-check blanket, pour yourself a cocoa and get ready to feel the love.

There's screwball patter, mistaken identities, complicated family dynamics and, of course, lots and lots of "fake" dates that turn out to be something more. Others are LGBTQ Christmas movies that finally let underrepresented stories and characters take the lead. Some have no jokes at all, but plenty of romance, filled with the yearning of unrequited or forbidden love. Some of them are the best rom-coms ever, serving up laughs and heart flutters in equal measure. When you take those out of the equation, these are the best romantic Christmas movies to watch in 2022. And while those are about finding love more often than not, they're really their own thing, with their own tropes and formulas, that deserve to be treated as their own category. Of course, Hallmark understand this better than most, and they've created their own sub-genre of romantic Christmas movie: the Hallmark holiday film.

There's just something about the kisses under the mistletoe, the fulfilled Christmas wishes and the snowflakes that dot everyone's hair and shoulder for just the right amount of sparkle that's just an instant mood boost. But true fans know that the best type of holiday film is really the Christmas romance.

When it comes to the best Christmas movies of all time, so much of the attention goes to family Christmas movies that you can gather the whole family to watch (preferably in matching pajamas).
